"I longed to arrest all the beauty that came before me and at length the longing has been satisfied." - Julia Margaret Cameron
I can't remember how I first discovered Julia Margaret Cameron, but whenever I look again at her photography I'm astounded by it's beauty and intensity. For the era that she lived her portraiture especially is groundbreaking in its immediacy. When you consider that these images were not taken with a click of the button, but with the subjects sitting for the lengthy periods of time necessary in early photography, the intimacy of her work is astounding.
 Self Portrait, 1862
Self Portrait, 1862 Whisper of the Muse, 1865
Whisper of the Muse, 1865 The Parting of Sir Lancelot and Queen Guinevere, 1874
The Parting of Sir Lancelot and Queen Guinevere, 1874 Sir Galahad and the Nun, 1874
Sir Galahad and the Nun, 1874 Charles H. Cameron as King Lear, 1872
Charles H. Cameron as King Lear, 1872 Elaine, 1875
Elaine, 1875 The May Queen, 1874
The May Queen, 1874 Sadness, 1864
Sadness, 1864 The Mountain Nymph, Sweet Liberty, 1866
The Mountain Nymph, Sweet Liberty, 1866 Julia Jackson, 1867 (mother of Virginia Woolf)
Julia Jackson, 1867 (mother of Virginia Woolf) The Gipsy, 1865
The Gipsy, 1865 Miss Magdalene Brookfield, 1865
Miss Magdalene Brookfield, 1865 Beatrice, 1866
Beatrice, 1866 Maud, 1875
Maud, 1875 Julia and Charles Norman, 1864
Julia and Charles Norman, 1864 The Kiss of Peace, 1869
The Kiss of Peace, 1869 Gareth and Lynette, 1874
Gareth and Lynette, 1874 H.W. Longfellow, 1868
H.W. Longfellow, 1868 Charles Darwin, 1868
Charles Darwin, 1868 Robert Browning, 1865
Robert Browning, 1865 A. Tennyson, 1865
A. Tennyson, 1865 Prayer, 1866
Prayer, 1866 Paul and Virginia, 1864
Paul and Virginia, 1864 Daisy Bradley, 1864
Daisy Bradley, 1864 Cupid Reposing, 1872
Cupid Reposing, 1872